Solutions · Creative Directors

Stop designing in the dark.

You know the work landed.Hawky tells you which part did, then builds the next round from it.

Concepts made with Hawky · not client campaigns

Trusted by 100+ brands and agencies

All in one

What worked in your ads. What your competitors are running. What's next.

Creative Intel

Every ad.Every channel.Scored to the second.

Hook rate and hold rate sitting next to spend, rolled up per creative rather than per ad.

Creative IntelMetaGoogleTikTokLast 30 days
CreativeTrendSpendClicksImpressionsCTRHook rateHold rate
Samba OG · 4x5385 ads322 active$412,9081,146,38259,096,2891.94%31%18%
Adizero · Reels129 ads129 active$268,431812,44733,712,3242.41%38%24%
Gazelle · Stories42 ads1 active$96,204158,93018,060,2270.88%19%7%
Ultraboost · 1x134 ads34 active$71,660214,90513,265,7411.62%27%14%
Terrex Trail · 4x519 ads18 active$44,09796,3188,375,4781.15%22%11%
2,259 creatives$4,382,610 spend · 11,816,192 clicks
Competitor Intel

Watch thecategory.Every day.

Every ad your competitors launch, broken down element by element — hook, format, claim, CTA and funnel stage — before you open the file.

24/7 Ad Library ScraperLive

36 new ads today from Under Armour, Nike, New Balance, Asics and Reebok

Concept creative, not live ads from these brands.

AI Creative Studio

Brief it once.Get the wholeround back.

Static and video, every size, on brand. All of it off one approved concept.

Creative Studio

Two concepts from one brief.And the reasoning behind every call.

for the agent's working: the idea, every visual decision, and the brand rule behind each one.

Creative Agent
Sound off

Testimonials, product cuts, occasion films. All on the schedule you set.

Five cuts, three brands, two languages, all running at once. Script, shot direction and edit included on every one. Click any of them to watch it in full.

Behind one cut

You direct the scene. Hawky shoots the rest.

Scenes → Assets → Frame → Clip
Thiago Character Sheet
Generated
Samba OG Cloud White
Found
Scuffed Leather Football
Generated
Boteco Glass with Condensation
Generated
Samba Gold Foil Detail
Found
adidas Trefoil Logo
Found
Scene 17s
  1. 1Extreme low-angle tracking
  2. 2Low-angle tracking
  3. 3Low-angle static

HeadlineGINGA

3 beats
Scene 27s
  1. 1Low-angle medium shot, drifting behind
  2. 2Low-angle drift
  3. 3Medium tracking into static

HeadlineCULTURA

3 beats
Scene 37s
  1. 1Low-angle close-up, static
  2. 2Macro close-up, static
  3. 3Static close-up

HeadlineSAMBA OG

3 beats
Frame
1088 × 1936
Frame
1088 × 1936
Frame
1088 × 1936
Frame
1088 × 1936
Frame
1088 × 1936
Frame
1088 × 1936
Clip 17s
Clip 1 of the finished cut, seven seconds long
720 × 12801/3
Clip 27s
Clip 2 of the finished cut, seven seconds long
720 × 12802/3
Clip 37s
Clip 3 of the finished cut, seven seconds long
720 × 12803/3

One real run: six source assets, three written scenes, six generated frames, three clips.

Competitor Intel

Know their playbook. Before you write yours.

Where the category is actually buying, and how much of it is still running today.

AdsInsightsStatusMediaPlatformLanguageMore···
Under Armour···Nike···New Balance···Asics···+ Add Brand

Platform Split

Meta vs Google ad distribution per brand

MetaGoogle
04509001.4k1.8k
Under Armour1,284 ads

Meta · 86%1,102

604 active

Image692

Video290

Carousel120

Google · 14%182

108 active

Image151

Video31

Proof · Creative teams

the creative performance. Same team, same budget.

Measured over three months.

The Man Company

Instead of guessing what works, we now know exactly which elements drive performanceand we build from there.

Chirag Arora
Senior Graphic Designer, The Man Company
50%
Iteration Time Reduction
Campaign Launch Velocity
Read the story
The way it works now vs Hawky

Production tools make assets. Hawky makes the system.

Creative ops today
Hawky
Insight
An ad comes back a win or a loss. Never which part earned it.
Every element scored, down to the second it happens.
The next brief
Argued from taste and whatever screenshot was in the room.
Starts from the elements that already won in your account.
Getting the answer
The numbers live with the performance team, in dashboards built for them.
Ask in plain English. Get an answer in plain English.
Volume
Resizes, cuts and localisations eat the hours meant for concepts.
Set a cadence. Thirty on-brand creatives, static and video, every Monday.

Give your team back the work worth doing.

Connect Meta or Google, hand over one approved concept, and see what comes back.

Frequently Asked Questions

Does this replace my creative team?

No. The agent takes the production work: variants, resizes, localisations and versioning. The concepts, the art direction and the brand calls stay with your team, and element scoring gives those calls evidence to stand on.

How much do I have to hand over to get something back?

As much or as little as you want. A one-line request works, but the run that made the ads on this page was a written brief: two named concepts, an angle and a copy line on each, and a house rule at the end. The more direction you give, the less there is to correct.

How many creatives can we expect?

You set a cadence rather than a one-off request. Thirty every Monday, say, and the agent delivers against it in bulk. That is static and video together, sized for each placement.

Will it keep our creative on-brand?

Yes. You set the brand rules once (fonts, colours, logo usage, tone) and they are enforced at render on every variant. It scales the brand system you built; it does not improvise a new one.

Is it just generic AI output?

No. It builds from your own brand kit, your approved concept, and the elements Creative Analysis has already scored as winners in your account.

How do I know which creative is working?

Creative Analysis scores each element (hook, visual hierarchy, message density, CTA) against performance, and maps it to the exact seconds where it happens. You get a note you can brief from, not just a number.

Where does the work land, and where do I get to change it?

Everything a run makes lands in your library, where you can edit any creative, generate variations from it, or animate a static into a cut. For video the scene is written out beat by beat before anything renders, so the approval point is the brief rather than the finished file.

Does it make video, or only statics?

Both. Statics across every placement, and video on the key platforms. Creative Analysis scores video frame by frame, so a cut is diagnosed the same way a static is.

What channels does it support?

Meta, Google, YouTube, and TikTok, sized and formatted for each placement, with performance read back across all of them.